Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Branwell Bronte
A painting of the three Bronta sisters

ID: 94618

Branwell Bronte A painting of the three Bronta sisters
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Branwell Bronte A painting of the three Bronta sisters


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Branwell Bronte

26 June 1817 - 24 September 1848) was a painter and poet, the only son of the Brontë family, and the brother of the writers Charlotte, Emily, and Anne. Branwell Brontë was the fourth of six children and the only son of Patrick Brontë and his wife, Maria Branwell Brontë. He was born in Thornton, near Bradford, Yorkshire, and moved with his family to Haworth when his father was appointed to the perpetual curacy in 1821. Of the four Brontë siblings who survived into adulthood, Branwell Brontë seems to have been regarded within the family as the most talented, at least during his childhood and youth. While four of his five sisters were sent to Cowan Bridge boarding school (resulting in the death of his two oldest sisters, Maria and Elizabeth, from tuberculosis), Branwell was kept at home to be privately educated by his father, who gave him a classical education suitable for admission to Oxford or Cambridge. Elizabeth Gaskell, biographer of his sister, Charlotte Bronte, says this of Branwell's schooling:   Related Paintings of Branwell Bronte :. | The Nightmare | THe WHite hose | almeidajr | Villa Medici, Rome | The Calling of St.Peter |
Related Artists:
Bafcop Alexis
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Job Berckheyde
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Vittore Carpaccio
Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.






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